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Ryan Dombal of Pitchfork deemed it the 'culmination' of West's past work: 'Musically, largely continues where 2007's Graduation left off in its maximalist hip-hop bent, with flashes of The College Dropout 's comfort-food sampling and Late Registration 's baroque instrumentation weaved in seamlessly'. The music was described as maximalist by Jon Caramanica of The New York Times, who also took note of East Coast hip hop elements. You're gonna be surprised what you hear'. but his new album is strictly hard beats and rhyme. DJ Premier said of the production in comparison to West's previous work, 'Well, first of all, if you look at all of Kanye West's output, he actually did a lot to bring back sampling and make it cool again, even though he's more of a mainstream artist.
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Rapper Pusha T characterized the album as 'a collage of sounds' and found West's recording methods unorthodox, saying that: 'We could easily be working on one song, thinking we're in a mode, and he'll hear a sound from someone like Jeff Bhasker and immediately turn his whole attention to that sound and go through his mental Rolodex to where that sound belongs on his album, and then it goes straight to that song, immediately'. I love the way he works â he goes from one room, writing rhymes then goes to another beat and goes to another room and does something else â I love what he's done'. He had these musicians and this song, they played around my little raggedy beat and made it real. He takes it to another level which is dope. Pete Rock said of his studio experience with West, 'He's definitely hip-hop, his roots, I was testing him on joints. West held breakfast each morning at his Diamond Head residence for his crew. Kid Cudi smoked marijuana in preparation and worked out on a treadmill, while RZA worked out in the weight room. Before recording in the afternoon, West and most of his crew played games of 21 against locals at the Honolulu YMCA for leisure. This assiduous work ethic led to him employing two private chefs, one for hot and one for cold food. Engineers worked around the clock, as West bounced from room to room.
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West never slept a full night at the 'glass-enclosed mansion' he had rented, opting instead to take power naps in a studio chair or couch 90 minutes at a time. he heads to another studio room to make progress on another song'. According to Callahan-Bever, who visited West during the recording sessions, 'when he hits a creative wall.
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West, who had previously recorded 808s & Heartbreak at Avex, block-booked the studio's three session rooms simultaneously for 24 hours a day to work on My Beautiful Dark Twisted Fantasy. Madlib said he made five beats for the album, while DJ Premier said his beats were ultimately discarded. Record producers who participated in the sessions with West included: Q-Tip, RZA, DJ Premier, Madlib, Statik Selektah, and Pete Rock. Rap Camp!' Artists who were reported to have participated in the sessions for My Beautiful Dark Twisted Fantasy included: Raekwon, RZA, Pusha T, Rick Ross, Charlie Wilson, Big Sean, Cyhi the Prynce, Swizz Beatz, Dwele, Nicki Minaj, T.I., Drake, Common, Jay-Z, John Legend, Fergie, Rihanna, The-Dream, Ryan Leslie, Elton John, M.I.A., Justin Vernon, Seal, Beyoncé, Kid Cudi, Mos Def, Santigold, Alicia Keys and Elly Jackson. He later explained the initial recording process to Noah Callahan-Bever, Complex editor-in-chief and West's then-confidant, who said 'he'd holed up in Hawaii and was importing his favorite producers and artists to work on and inspire his recording.
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It was reported that West spent over $3 million provided by his record label Def Jam to record the album, making it one of the most expensive albums ever made.
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Additional recording took place at Glenwood Place Studios in Burbank, California, and at Electric Lady Studios and Platinum Sound Recording Studios in New York City. My Beautiful Dark Twisted Fantasy was recorded in sessions at Avex Recording Studio in Honolulu, Hawaii.